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We live 'm the Present, By the Past, but for the. . Senior Seminars Abolition Sought A resolution calling for the abolishment of the senior seminars a required courses, received its first reading at yesterday's senate meeting The resolution, sponsored by Debbie Hanshew, a candidate for SG president, and Lee Constantine, a We Live in the Present By the Past, but for the. . candidate for SG vice president is being supported by a petition also calling for seminar abolishment. According to Miss Hanshew, two committees that researched various aspects of the seminars found that their value was debatable, and her reaction to them is along the same lines. "I don't think anyone should be forced to take a seminar. They should be elective courses," said Miss Hanshew. The presidential hopeful noted that the seminars could be beneficial to freshmen and sophomores who are undecided about their major. "They could be taken as elective courses to broaden the student's ideas on what other colleges are like. But for the average student, the Environmental Studies program is sufficient," she said. The resolution reads as follows: Whereas the senior seminars are overcrowded, which causes no end to confusion in scheduling, and whereas the eight hours needed to complete seminars could be better spent in courses in the student's field of study, and whereas the value of seminars as required courses is debatable, therefore, be it resolved that senior seminars be offered as elective courses instead of required courses." "I am interested in securing the sentiments of the student body concerning the seminars in order to presen the results to the administration," said Miss Hanshew in explanation of the petition. "Most students are acquainted with the requirements of the seminars even if they have not taken any, and I feel that every student is capable of juding their worth for themselves," she added. Miss Hanshew hopes to secure 3,000 signatures on the petition. Petitions will be posted on bulletin boards on the first floor of every building on campus by today and will be up for 2-3 weeks. Student Government president Frank Santry said he had "mixed emotions" concerning the seminars. He noted that he had finished his seminars over a year ago and, at that time, felt that they had been "a complete waste of time." However, he added that more recent reports of the quality of the seminars showed that they had "apparently improved." "I prefer to allow students who have had more recent experience with the seminars recommend steps to be taken," said Santry. DOT Okays Additional 900-Car Lot A temporary parking lot with spaces for approximately 900 cars has been authorized on campus by the State Department of Transportation (DOT). Fred E. Clayton, director of university physical planning, said the lot, which will be of better quality than stablized lot 200, is expected to be ready by next year. Clayton met with Department of Transportation officials in Deland last week and was told DOT has begun plans to help relieve FTU's parking problems. Although no date for commencement of work was specified, Clayton said the department indicated work would begin "before long." No costs for the project were mentioned. (Continued on Page 16) THERE IS NOTHING HERE! The space once occupied by a large print valued at $300 (a twin to the small once shown here) is now vacant as result of a daylight theft which occurred sometime Monday. Instructional Media photographer Lorran Meares is pictured above with one of many prints he is currently displaying in the Library lobby. Six prints valued at a total of $550 were stolen from the collection. Campus Security is currently investigating the thefts. Daylight Thief Steals Photos From Library Photos valued at more than $500 were stolen from a photo display in the library lobby Monday. "My first reaction to the loss," said Instructional Media photographer Lorran Meares, "was to ask for the largest reward possible for the return of my prints." Six prints were stolen, one a 35" x 42" print valued at $300, between noon and 8 p.m. Monday. All the prints were insured by the university for the amount they would bring if sold by the artist. An unidentified girl witnessed the theft of the large photo and was able to give a detailed description to Campus Security, which has begun a complete investigation. "The real value of these prints," explained Meares, "is to the artist. Many people think of a photo as just a reproduceable piece of paper. To the photographer, however, they are as important as a fine painting. In fact, one print may represent as much as a year's work and experience. Of the six photos taken, two were black and white, the one large print valued at $300 and a small fish-eye shot of a girl in a shack. Four color photos were also taken, three of them a series of fluorescent renderings of a nude. The sixth, a photo of a girl knee-deep in water, is irreplaceable (according to Mearse the negative was lost). "My feelings about the incident," said Meares, "can best be summed up in the words that now appear where the large print was orginally on display." "Art has three values - in reverse order of importance, it represents the creator's soul, it is laden with altruism because it is shared with others and it is a considerable monetary investment. The individual that deprives us of these intrinsic qualities is NOT a child of the new world." Women In Literature Course Offers New Dimension By Linda Carpenter Beth W. Barnes is a young, personable assistant professor of English who has been teaching here for four years and who will return this fall to graduate school to work on her Ph.D. But before leaving, she will have had the pleasure of introducing one of the most controversial courses ever offered. With some argument she was able to convince the English department to let her offer it as a special topics course, so it is not an official addition to the curriculum, and may not be offered again after she leaves FTU. It is listed in the class schedule as English 491, Women in Literature, but it is essentially a course in women's studies or in feminist consciousness. Course materials vary from current articles on women's liberation that deal with female sexuality and psychology, to short stories by D. H. Lawrence and Doris Lessing. Some of the absorbing books for the course include "One Flew Over the Cuckoo's Nest," "Women in Love," "The Golden Notebook," "The Female Eunuch," "Sexual Politics" and "The Prisoner of Sex." Students interested in women's issues or who just enjoy controversial discussion, are invited to sit in on Ms. Barnes class every Beth W. Thursday evening. The following is an interview with Ms. Barnes which took place at her home. Q. You seem to have a relaxed friendly attitude toward students. Is this part of your philosophy of education? A. Oh yes, I think the time is past when we think we can have all the answers and come into class and deliver these answers to students. Barnes You get a lot further by sitting down and talking with students. Q. What inspired you to create your Women in Literature course? A. I have been interested in women's issues for some time. I attended a Women in Literature workshop at Alverno College in Milwaukee last summer and found Florida is pretty far behind in Women's Studies. Alverno, for example, has an entire Women's Studies program, with probably the only Women's Studies Library in the country. I decided I would like to try something similar at FTU. There is a real need for the course. Ivory tower esthetes have to begin looking at life from a different perspective. Education is, in so many ways, irrelevant to real life. There is a strange idea in some university departments that what is modern is unworthy, and a subject has to be a hundred years old before a professor will touch it. I can't give students answers, but I can provide them with some of the problems they will encounter. For example, women have been put down for years, and have rarely developed their full potential. Q. Do you feel the course was successful last term? A. I'm really pleased. Students worked hard and independently. They did far beyond what was required of them, and that is what I think education is all about. Students were educating themselves. Also, the course has generated a lot of excitement on campus. All sorts of people have been asking about it. I don't know that we can measure what was accomplished, but I hope that it increased awareness and developed a new way of looking at literature. I wanted to expose students to reading literature from a feminist's point of view. Q. What is a feminist's point of view? A. If literature professes to be about human beings, it has got to include women. We are not all virgins or tramps. Literature has in many ways failed to show our humanness. It has either romanticized or degraded us, and women in particular need to be aware of this. It is difficult to find admirable women in literature. Often, the stereotypes have been enforced. Women, particularly in American literature, have never been worthy characters, and when they are we seldom notice it. I'm not suggesting that feminist criticism should replace all literary criticism; it's just another way of looking at literature, and I think a valid one. When you reread things from a feminist's point of view, you see things you didn't see before. For example, I never completely understood the source of Dorothea Brooke's unhappiness in George Eliot's "Middlemarch." She is trying to play a role she thinks she is supposed to play (that of wife and helpmate) and you feel her (Continued on Page 16)
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Transcript | We live 'm the Present, By the Past, but for the. . Senior Seminars Abolition Sought A resolution calling for the abolishment of the senior seminars a required courses, received its first reading at yesterday's senate meeting The resolution, sponsored by Debbie Hanshew, a candidate for SG president, and Lee Constantine, a We Live in the Present By the Past, but for the. . candidate for SG vice president is being supported by a petition also calling for seminar abolishment. According to Miss Hanshew, two committees that researched various aspects of the seminars found that their value was debatable, and her reaction to them is along the same lines. "I don't think anyone should be forced to take a seminar. They should be elective courses," said Miss Hanshew. The presidential hopeful noted that the seminars could be beneficial to freshmen and sophomores who are undecided about their major. "They could be taken as elective courses to broaden the student's ideas on what other colleges are like. But for the average student, the Environmental Studies program is sufficient," she said. The resolution reads as follows: Whereas the senior seminars are overcrowded, which causes no end to confusion in scheduling, and whereas the eight hours needed to complete seminars could be better spent in courses in the student's field of study, and whereas the value of seminars as required courses is debatable, therefore, be it resolved that senior seminars be offered as elective courses instead of required courses." "I am interested in securing the sentiments of the student body concerning the seminars in order to presen the results to the administration," said Miss Hanshew in explanation of the petition. "Most students are acquainted with the requirements of the seminars even if they have not taken any, and I feel that every student is capable of juding their worth for themselves," she added. Miss Hanshew hopes to secure 3,000 signatures on the petition. Petitions will be posted on bulletin boards on the first floor of every building on campus by today and will be up for 2-3 weeks. Student Government president Frank Santry said he had "mixed emotions" concerning the seminars. He noted that he had finished his seminars over a year ago and, at that time, felt that they had been "a complete waste of time." However, he added that more recent reports of the quality of the seminars showed that they had "apparently improved." "I prefer to allow students who have had more recent experience with the seminars recommend steps to be taken," said Santry. DOT Okays Additional 900-Car Lot A temporary parking lot with spaces for approximately 900 cars has been authorized on campus by the State Department of Transportation (DOT). Fred E. Clayton, director of university physical planning, said the lot, which will be of better quality than stablized lot 200, is expected to be ready by next year. Clayton met with Department of Transportation officials in Deland last week and was told DOT has begun plans to help relieve FTU's parking problems. Although no date for commencement of work was specified, Clayton said the department indicated work would begin "before long." No costs for the project were mentioned. (Continued on Page 16) THERE IS NOTHING HERE! The space once occupied by a large print valued at $300 (a twin to the small once shown here) is now vacant as result of a daylight theft which occurred sometime Monday. Instructional Media photographer Lorran Meares is pictured above with one of many prints he is currently displaying in the Library lobby. Six prints valued at a total of $550 were stolen from the collection. Campus Security is currently investigating the thefts. Daylight Thief Steals Photos From Library Photos valued at more than $500 were stolen from a photo display in the library lobby Monday. "My first reaction to the loss," said Instructional Media photographer Lorran Meares, "was to ask for the largest reward possible for the return of my prints." Six prints were stolen, one a 35" x 42" print valued at $300, between noon and 8 p.m. Monday. All the prints were insured by the university for the amount they would bring if sold by the artist. An unidentified girl witnessed the theft of the large photo and was able to give a detailed description to Campus Security, which has begun a complete investigation. "The real value of these prints," explained Meares, "is to the artist. Many people think of a photo as just a reproduceable piece of paper. To the photographer, however, they are as important as a fine painting. In fact, one print may represent as much as a year's work and experience. Of the six photos taken, two were black and white, the one large print valued at $300 and a small fish-eye shot of a girl in a shack. Four color photos were also taken, three of them a series of fluorescent renderings of a nude. The sixth, a photo of a girl knee-deep in water, is irreplaceable (according to Mearse the negative was lost). "My feelings about the incident," said Meares, "can best be summed up in the words that now appear where the large print was orginally on display." "Art has three values - in reverse order of importance, it represents the creator's soul, it is laden with altruism because it is shared with others and it is a considerable monetary investment. The individual that deprives us of these intrinsic qualities is NOT a child of the new world." Women In Literature Course Offers New Dimension By Linda Carpenter Beth W. Barnes is a young, personable assistant professor of English who has been teaching here for four years and who will return this fall to graduate school to work on her Ph.D. But before leaving, she will have had the pleasure of introducing one of the most controversial courses ever offered. With some argument she was able to convince the English department to let her offer it as a special topics course, so it is not an official addition to the curriculum, and may not be offered again after she leaves FTU. It is listed in the class schedule as English 491, Women in Literature, but it is essentially a course in women's studies or in feminist consciousness. Course materials vary from current articles on women's liberation that deal with female sexuality and psychology, to short stories by D. H. Lawrence and Doris Lessing. Some of the absorbing books for the course include "One Flew Over the Cuckoo's Nest," "Women in Love," "The Golden Notebook," "The Female Eunuch," "Sexual Politics" and "The Prisoner of Sex." Students interested in women's issues or who just enjoy controversial discussion, are invited to sit in on Ms. Barnes class every Beth W. Thursday evening. The following is an interview with Ms. Barnes which took place at her home. Q. You seem to have a relaxed friendly attitude toward students. Is this part of your philosophy of education? A. Oh yes, I think the time is past when we think we can have all the answers and come into class and deliver these answers to students. Barnes You get a lot further by sitting down and talking with students. Q. What inspired you to create your Women in Literature course? A. I have been interested in women's issues for some time. I attended a Women in Literature workshop at Alverno College in Milwaukee last summer and found Florida is pretty far behind in Women's Studies. Alverno, for example, has an entire Women's Studies program, with probably the only Women's Studies Library in the country. I decided I would like to try something similar at FTU. There is a real need for the course. Ivory tower esthetes have to begin looking at life from a different perspective. Education is, in so many ways, irrelevant to real life. There is a strange idea in some university departments that what is modern is unworthy, and a subject has to be a hundred years old before a professor will touch it. I can't give students answers, but I can provide them with some of the problems they will encounter. For example, women have been put down for years, and have rarely developed their full potential. Q. Do you feel the course was successful last term? A. I'm really pleased. Students worked hard and independently. They did far beyond what was required of them, and that is what I think education is all about. Students were educating themselves. Also, the course has generated a lot of excitement on campus. All sorts of people have been asking about it. I don't know that we can measure what was accomplished, but I hope that it increased awareness and developed a new way of looking at literature. I wanted to expose students to reading literature from a feminist's point of view. Q. What is a feminist's point of view? A. If literature professes to be about human beings, it has got to include women. We are not all virgins or tramps. Literature has in many ways failed to show our humanness. It has either romanticized or degraded us, and women in particular need to be aware of this. It is difficult to find admirable women in literature. Often, the stereotypes have been enforced. Women, particularly in American literature, have never been worthy characters, and when they are we seldom notice it. I'm not suggesting that feminist criticism should replace all literary criticism; it's just another way of looking at literature, and I think a valid one. When you reread things from a feminist's point of view, you see things you didn't see before. For example, I never completely understood the source of Dorothea Brooke's unhappiness in George Eliot's "Middlemarch." She is trying to play a role she thinks she is supposed to play (that of wife and helpmate) and you feel her (Continued on Page 16) |
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